![]() These glorious canonic “interruptions” create an ever-rising intensity. It is a magnificent example of stretto, a fugal technique in which imitating voices enter in such close succession that they “answer” before the subject has completed. Set in 3/2 time, this grand four-voice double fugue is the longest in the collection. The real fugue arrives with a somber, halting subject which, as the other voices enter, becomes shrouded in chromaticism and punctuated by edgy dissonances. At moments, the imitative voices resemble a fugue. ![]() From the Prelude’s opening bars, a dense contrapuntal conversation unfolds. The companion pieces come near the end of Book II of the Well-Tempered Clavier, the manuscript of which is dated between 17 in the final years of the composer’s life. ![]() Epic is a word that could describe Bach’s Prelude and Fugue No.
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